NEW RADIOHEAD

[moyboy]

New album's coming out sooner than expected, like this next week...
And you can pay whatever you want for it...
Wow...


http://www.pitchforkmedia.com/article/news/46015-new-radiohead-album-aaaaaaahhh

[panthergirl]

that is so damn cool.

[csmooth24]

wow. i might pay a few pennies. :)

[moyboy]

i will pay full price retail, just to help them succeed and make a much needed point (that being innovative pays, that the music industry is fucked, that labels aren't as neccesary as they used to be and will become obsolete if they don't begin to cater to the new consumers and their mediums).

and because i like them.

[rockrighter]

i will pay full price retail, just to help them succeed and make a much needed point (that being innovative pays, that the music industry is fucked, that labels aren't as neccesary as they used to be and will become obsolete if they don't begin to cater to the new consumers and their mediums).

and because i like them.

I will as well.

Ever seen 'em live? Holy jeez. Rad.

[panthergirl]

me too!

live... incredible :)
sensory-overload!! :koed:

[moyboy]

Ever seen 'em live? Holy jeez. Rad.

oh yes. once at the Gorge another time at a similar outside location... awesome.:koed:

[oblio]

I think they should have taken it a step further and paid me to
buy their cd.

[moyboy]

and hand delivered by Jonny Greenwood.

[Johnny Carwash]

http://www.sendspace.com/file/xno154

[Highway23]

thank you kind sir!

[moyboy]

thanks man!

[Johnny Carwash]

you're quite welcome
bunch of great songs
i'm obsessing over 'weird fishes'

[moyboy]

just gave it a once through, going to lunch and then will do a second take.
yes, "weird fishes" grabbed me too, the first time...

[brokenarrow]

http://www.sendspace.com/file/xno154

Thank you Johnny-Joe! :bigsm:

[Highway23]

Found this at another site I frequent:

Here's (http://www.pitchforkmedia.com/article/feature/46272-pitchforks-guide-to-radioheads-in-rainbows) a really cool look at the history of the individual songs, including YouTube bootlegs of some live performances.

Tue: 10-09-07
Pitchfork's Guide to Radiohead's In Rainbows
Story by Scott Plagenhoef | Digg this article | Add to del.icio.us Radiohead will today leak/sell their seventh studio album, In Rainbows, offering it as a digital download for your choice of payment. It's a neat way to, as fellow Pitchforker Brian Howe has said, "devise a model where they meet the culture on its own terms, rather than trying to bully us back into an obsolete [one]."
It's also a bit of a reverse bait-and-switch: The group is offering a pricy box set for release in December (charging £40, including shipping) as the only current consumer choice, and then giving away what many already get for free (the album's actual music), but asking you whether you'd be willing to pay for the files. It's as weirdly conservative as it is revolutionary, a convoluted pricing-and-release schedule that leans heavily on a high-end product rather than the music itself. Radiohead are asking you to value the presentation-- the tangential and the tangible-- instead of the sounds coming out of your speakers, in the process admitting what any teenager with a high-speed computer and a sense of entitlement will tell you these days: To a large subset of "consumers," music is no longer worth the price of the CDs it's printed on.

When Kid A and Amnesiac were first leaked at the start of the decade, the devoted waited for 30, 40, 50 minutes at a time on dial-up trying to grab bits and pieces of the album, an experience I've long felt unfairly negatively colored the opinion of Amnesiac, in particular: After 45 minutes of finger-tapping, some weren't so pleased to learn they'd wound up with, say, "Hunting Bears"-- never mind that the song sounds great in the context of the actual album.

So LP7. Bits and bobs of what it sounds like have been floating around the internet, and wowing live audiences, for years, and this week we've been cataloging them to create a user's guide to the record. This is merely a look at the public history of the tracks included on In Rainbows (a bonus disc will be included in the December box set), and is not at all intended to be a guess at what the record could, should, or would have sounded like. It's bits of a roadmap so you can glean a bit of insight into how they formed, and how this truly unique and rewarding band works.

Stay tuned for a proper review next week.

01. "15 Step"
On March 8, 2006, Radiohead's Dead Air Space site posted a photo of bassist Colin Greenwood composing a list of unreleased songs under the banner "tour." Presumably, the 16 songs listed were to be rehearsed before the group's then-upcoming trek throughout Europe and the U.S. Included among them was "15 Step", one of seven In Rainbows tracks listed (along with "Bodysnatchers", "Nude", "Arpeggi", "Reckoner", "House of Cards", "Videotape", and "Jigsaw Falling Into Place" (née "Open Pick").



Radiohead debuted "15 Step" less than two months later, in Copenhagen, at the opening stop of their 2006 tour. From there it was a fixture, earning the distinction of being the only song played on all 28 of the band's 2006 dates. One of the more sensual tracks the band has ever done, it's also virtually the closest they've come to toying with modern r&b sounds.

Key lyric: "How come I end up where I started/ How come I end up where I belong"



02. "Bodysnatchers"
One of many songs debuted live by either Thom Yorke solo or in combination with Jonny Greenwood, the pair of them first aired this in London in May 2006 at a show for The Big Ask Live; the band itself played it on the first night of its 2006 tour.

By that time, it was already known to Radiohead watchers, having not only been listed on Colin's blackboard, but mentioned on Dead Air Space numerous times, with drummer Ed O'Brien claiming they "may have got [it]" as early as October 2005. Alas, Jonny would grouse five months later: "We're just finishing (Famous Last W's) Bodysnatchers. Rather good so far....better not turn my guitar down."

Key lyric: "Has the light gone out for you?/ Cause the light's gone for me"


03. "Nude"
This song is the oldest of the bunch, dating as far back as the late 1990s (please enjoy some lovely, glockenspiel-led internet evidence of that claim below), when it was debuted as a solo acoustic Thom Yorke track in Japan, then eventually folded into the band's sets:


In the above clip, Yorke introduces this as a "new song that doesn't have a title"-- since then it's had four: "Failure to Receive Repayment Will Put Your House at Risk" (as claimed by Yorke in the tour film Meeting People Is Easy), "Big Ideas", "(Don't Get Any) Big Ideas", and now alas the far inferior "Nude". Suburban ennui, crushing boredom, unfulfilling go-nowhere lives-- it's like a graceful and sorrowful version of those sometimes sneering, knees-up Kinks/Blur character songs, or the inverse of "No Surprises".

"But dreams have a knack of just not coming true," the Smiths once moaned; "Don't get any big ideas/ They're not gonna happen," Radiohead claim here, but it's largely too late, the protagonist seems stuck, having already tricked himself into holding out hope for too long.

Radiohead fans may have felt the same thing about the track, having been prepped to believe it would appear on Kid A (and being told that, in retrospect, it was considered for OK Computer) and teased with scattered appearances at shows over the past decade, before it was finally mentioned as one of the first batch of songs the group was working on in its intial LP7 sessions, in 2005.

Key lyric: "Now that you've found it, it's gone/ Now that you feel it, you don't"



04. "Weird Fishes/Arpeggi"
"Arpeggi" only seems to have debuted ages ago-- it was the first hint of new material since 2003's Hail to the Thief and among the first omg YouTube moments, an indication that this video site would now document every step and move our favorite musicians (and eventually politicians, classmates, family members) made.

The song debuted in March 2005 at London's Ether Festival, with Yorke and Jonny Greenwood performing it amongst two of Greenwood's own orchestral pieces. As David Raposa wrote at the time, "Greenwood plays the Ondes-Martenot, an electronic keyboarded [that] produces elegiac tones that sound like a cross between the warm buzz of a Rhodes piano and the resonant blare of a pipe organ. Such tones are perfect for Yorke's tremulous voice and his equally tremulous words."



Once out on the road, "Arpeggi" became a fixture at their shows, appearing in three-quarters of the 2006 sets, making it one of the band's most frequently played songs of the tour.

Key lyric: "Your eyes/ They turn me/ Why should I stay here?"



05. "All I Need"
In June 2006, producer Nigel Godrich posted to Dead Air Space a clip of various mixed songs, among which were "Jigsaw Falling Into Place", Weird Fishes/Arpeggi", eventual bonus disc tracks "Down Is the New Up" and "Bangers and Mash", and "All I Need". Debuted in late June 2006 in Chicago, this was the only new song performed on that tour not to be listed for rehearsal on Colin's blackboard.

Key lyric: "I'm the next act/ Waiting in the wings"


06. "Faust ARP"

Nobody knows a thing about this one, leading to speculation that it's another palatte-cleansing instrumental, á la Amnesiac's "Hunting Bears" or Kid A's "Treefingers". The second half of the title could refer to Address Resolution Protocol, a means of determining one's ethernet address via an internet address. If the first half of the title refers to the krautrock band, that's probably good news.

Key lyric: None that we know of. [Update: Oh, hey, lyrics! The guesswork was wrong after all.]

[Highway23]

07. "Reckoner"
This song was only played once live-- at the Gorge Ampitheatere, in 2001-- and yet it's on YouTube. Formerly known as "Feeling Pulled Apart By Horses", a half-decade ago this was aggressive and guitar-led, nearer to OK Computer's "Electioneering" than anything the band has done since.

Key lyric: "Insect bites/ Machine-gun-cameras/ You're not asleep/ You're not dreaming"


08. "House of Cards"
In summer 2005, Yorke also performed "Reckoner" as part of a five-song solo acoustic benefit for the Trade Justice Rally. Making appearances in that set were four other unreleased songs-- "Nude", "Arpeggi", "Last Flowers (Til Hospital)" (now "Up on the Ladder" and set to appear on the In Rainbows' bonus disc), and "House of Cards". That performance, at London's Methodist Central Hall, was the first airing of the track; the band itself would perform it the next year at three-quarters of its shows.

Unusual in the Radiohead catalog, it's a direct song that addresses a could-be sexual relationship and, like the twitcher "15 Step", carries echoes of American soul. Because it's such a departure, and so smooth and graceful, it could be a divisive song among Radiohead fans, which is frankly nuts-- the live versions are gorgeous stuff.

Key lyric: "I don't want to be your friend/ I just want to be your lover"


09. "Jigsaw Falling Into Place"
This is almost certainly the track formerly known as "Open Pick", since one of that song's lyrics, you guessed it, "Jigsaws falling into place." A bit of an upbeat number, it comes off lyrically as a cautionary tale and, despite being written years later, a companion piece to "Nude", and despite seeming like a natural crowdpleaser was among the In Rainbows songs least-often performed live in 2006.

Key lyric: "As the magic disappears/ No longer wound up like a spring/ Before you've had too much/ Come back and focus again"



10. "Videotape"
A comedown in the mold of Kid A's "Motion Picture Soundtrack", this was originally debuted on Nigel Godrich's online show From the Basement:


Even with the full band in tow, live performances of the song have been piano-led and often solitary, making the song a favorite with some but a drag to others. In April 2006, Yorke posted the lyrics to the song on Dead Air Space, with his typical disregard for spelling and grammar: "when im at the pearly gates thisll be on my videotape when Mephistopholis is just beneath and he's reaching up to grab me this is one for the good days and i have it all here in red blue green you are my centre when i spin away out of control on videotape."

Sadly, the Mephistopheles namecheck reminds us of Sting. Come to think of it, "I will turn your face to alabaster" sort of sounds like a Thom Yorke lyric as well.

Key lyric: "This is my way of saying goodbye/ Because I can't do it face to face/ I'm talking to you after it's too late"

[Johnny Carwash]

it's also virtually the closest they've come to toying with modern r&b sounds.

so i'm not crazy!..., cause the first thing i thought was "man, this has a great r&b bassline"

[panthergirl]

interesting:
http://www.att.net/s/editorial.dll?pnum=1&bfromind=7404&eeid=5485110&_sitecat=1479&dcatid=0&eetype=article&render=y&ac=2&ck=&ch=en&rg=blsadstrgt&_lid=332&_lnm=tg+en+topnews&ck=

Lessons Vary From Radiohead Experiment
Published: 10/24/07, 2:46 PM EDT
By JAKE COYLE
(AP) - Several weeks after Radiohead's digital release of its seventh studio album, "In Rainbows," aftershocks are still reverberating though the music industry.

While some perspective on the success of the experiment is possible, a full sense remains elusive since the band has been mum on how many copies of its album, and for what average price, were purchased from http://www.inrainbows.com. A spokesman for the British group decline to comment Wednesday.

Nevertheless, British Web site http://www.Gigwise.com has reported that Radiohead sold 1.2 million copies, a figure thought to be largely based on the pre-orders of the album placed in the ten days between Radiohead announced the release, and the day it went on sale: Oct. 10.

That figure easily trumps the number of discs Radiohead's last album sold in a similar time frame. 2003's "Hail to the Thief" moved 300,000 copies in its first week, eventually selling about one million copies in the United States.

Unlike their previous records, all the revenues this time go to the band. Radiohead's long-term deal with music giant EMI Group has expired, allowing them to release "In Rainbows" themselves.

Forbes.com has reported that though the album could be legitimately purchased for free, it was still downloaded over 240,000 times from peer-to-peer BitTorrent networks on the first day of release. Such downloads have totaled more than 500,000.

Those are startling numbers that suggest regardless of what bands or record labels do, great numbers of people are still going to pirate music. It's part of the culture now - even Radiohead's radical experiment didn't change that.

Radiohead still intends a traditional, physical release of "In Rainbows." They've been recently reported to be nearing distribution deals with independent labels.

The majors have been increasingly left out, watching several big names find new ways of selling their music. Nine Inch Nails now plans to operate independently of a major label. Madonna signed a recording and touring deal believed to be worth up to $120 million with concert promoter Live Nation Inc.

A leaked internal e-mail from EMI chairman Guy Hands called Radiohead's release "a wake-up call which we should all welcome and respond to with creativity and energy."

In a message on the band's Web site, http://www.radiohead.com/deadairspace/, Radiohead frontman Thom Yorke wrote: "It's a relief to us that finally it's out there. It's been a mad couple of weeks ... as I'm sure you can imagine."

But it's actually quite hard to imagine what it's been like for Radiohead recently. With their label-less freedom, they've largely shunned press interviews.

Guitarist and instrumental wizard Jonny Greenwood explained to Rolling Stone that the band opted for the unusual release "partly to get it out quickly, so everyone would hear it at the same time, and partly because it was an experiment that felt worth trying."

The lessons of that experiment would be even more valuable if Radiohead announced the results.

[brokenarrow]

I am officially addicted to this album. I LOVE it!!!!!!

[Jde-PJ]

I am officially addicted to this album. I LOVE it!!!!!!



listening to it the last hour, videotape is on again, love this tune.

[_sysiphus_]

I can't get enough of Reckoner

[Johnny Carwash]

XL is picking up the album and distributing in european countries. nothing yet for america

http://prod1.cmj.com/articles/display_article.php?id=51047301

[Not_Trapped]

I am officially addicted to this album. I LOVE it!!!!!!
that's their plan...they are plotting to take over the zombied world.

[brokenarrow]

that's their plan...they are plotting to take over the zombied world.

:evo: i think it's working :alien:


(there is evo face (what does evo mean anyway?) and alien face, but no zombie face!)

[hollie]

(what does evo mean anyway?)

evolution

[brokenarrow]

evolution

:cheek: thank you hollie!

[Johnny Carwash]

ATO has picked up the North American release of "In Rainbows"

http://prod1.cmj.com/articles/display_article.php?id=51047395

[moyboy]

so essentially Radiohead "leaked" their own album, made a few bucks off the "leaked" downloads, got some INCREDIBLE publicity for it, are pointed at as innovators even more so, and are now releasing the proper physical retail album.... genius publicity stunt / product launch.

[Johnny Carwash]

i think it would be smart to package the retail version with a dvd or bonus cd

[moyboy]

i think it would be smart to package the retail version with a dvd or bonus cd

i think you would be smart to think that would be smart.

[ProfessorFrink]

yep, shitting on your fanatics is the way to go.

PJ take note. you've got a goldmine just sitting there for this kinda stuff.

fanatics are your 5 course meal tickets. respecting them will only prevent you from milking them for as much as you can.

[Not_Trapped]

that's the way to go...it's humanity's way.